A serbian film película completa en español12/18/2022 Order to achieve a fuller picture of audiences’ activities (Gray, 2003: 65). He emphasisesĪ need to study these different groups due to their often vastly different experiences in Is not possible to read an anti-fan’s or a non-fan’s text off a fan’s’, he states. In his seminal work on anti-fandom, Jonathan Gray (2003) argued that the nature of a textĬhanges depending on the investment levels and viewing strategies of those who watch. Keywords: Audiences fandom A Serbian Film horror Put in place by disapproving audiences and highlight a practice of pre-meditatedĪnti-fandom, which accounts for instances where participants’ expectations of A Serbian Film areĮchoed in their reasons for their disapproval. Findings suggest a variety of distancing strategies The film itself and other audiences of it. Harman and Jones, 2013, Pinkowitz, 2011 Strong, 2009) to examine discourses relating to In focusing on only those participants with the most negativeĮxperiences, this article engages with literature on anti-fandom (including Gray, 2003 It investigates the viewing strategies of audiences of this Vast majority of whom make no mention of the historical knowledge upon which allĪcademic textual analyses rely. Project concerned with the experiences of English-speaking audiences of A Serbian Film, the This article is based on an original research In the years since its release, A Serbian Film (Spasojević, 2010) has been discussed inĪcademic terms largely within the context of its director’s stated intention of presenting anĪllegorical story about Serbia’s troubled past. Of the research, please visit the publisher’s website (a subscription may be required.) To read and/or cite from the published version This document may differ from the final, published version of the research and has been madeĪvailable online in accordance with publisher policies. Full items must not be sold commercially in anyįormat or medium without formal permission of the copyright holder. The content must not be changed in any way. Title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata Study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, Single copies of full items can be reproduced,ĭisplayed or performed, and given to third parties in any format or medium for personal research or Individual author(s) and/or other copyright owners. Copyright © and moral rights for items on NRL are retained by the Northumbria University has developed Northumbria Research Link (NRL) to enable users to access This version was downloaded from Northumbria Research Link: Citation: Smith, Martin (2018) Serb Your Enthusiasm: Anti-fandom and 'A Serbian Film'.
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